As the most comprehensive edited volume to be published on perpetrators and perpetration of mass violence, the volume sets a new agenda for perpetrator research by bringing together contributions from such diverse disciplines as political science, sociology, social psychology, history, anthropology and gender studies, allowing for a truly interdisciplinary discussion of the phenomenon of perpetration. The cross-case nature of the volume allows the reader to see patterns across case studies, bringing findings from inter alia the Holocaust, the genocides in Rwanda and the former Yugoslavia, and the civil wars in Cambodia and Cote d'Ivoire into conversation with each other. The chapters of this volume are united by a common research interest in understanding what constitutes perpetrators as actors, what motivates them, and how dynamics behind perpetration unfold. Their attention to the interactions between disciplines and cases allows for the insights to be transported into more abstract ideas on perpetration in general. Amongst other aspects, they indicate that instead of being an extraordinary act, perpetration is often ordinary, that it is crucial to studying perpetrators and perpetration not from looking at the perpetrators as actors but by focusing on their deeds, and that there is a utility of ideologies in explaining perpetration, when we differentiate them more carefully and view them in a more nuanced light. This volume will be vital reading for students and scholars of genocide studies, human rights, conflict studies and international relations.

As the most comprehensive edited volume to be published on perpetrators and perpetration of mass violence, the volume sets a new agenda for perpetrator research by bringing together contributions from such diverse disciplines as political science, sociology, social psychology, history, anthropology and gender studies, allowing for a truly interdisciplinary discussion of the phenomenon of perpetration. The cross-case nature of the volume allows the reader to see patterns across case studies, bringing findings from inter alia the Holocaust, the genocides in Rwanda and the former Yugoslavia, and the civil wars in Cambodia and Cote d'Ivoire into conversation with each other. The chapters of this volume are united by a common research interest in understanding what constitutes perpetrators as actors, what motivates them, and how dynamics behind perpetration unfold. Their attention to the interactions between disciplines and cases allows for the insights to be transported into more abstract ideas on perpetration in general. Amongst other aspects, they indicate that instead of being an extraordinary act, perpetration is often ordinary, that it is crucial to studying perpetrators and perpetration not from looking at the perpetrators as actors but by focusing on their deeds, and that there is a utility of ideologies in explaining perpetration, when we differentiate them more carefully and view them in a more nuanced light. This volume will be vital reading for students and scholars of genocide studies, human rights, conflict studies and international relations.

Once Upon a Pixel examines the increasing sophistication of storytelling and worldbuilding in modern video games. Drawing on some of gaming's most popular titles, including Red Dead Redemption 2, The Last of Us, Horizon Zero Dawn, and the long-running Metal Gear Solid series, it is a pioneering exploration into narrative in games from the perspective of the creative writer. With interviews and insights from across the industry, it provides a complete account of how Triple-A, independent, and even virtual reality games are changing the way we tell stories. Key Features A fresh perspective on video games as a whole new form of creative writing. Interviews with a range of leading industry figures, from critics to creators. Professional analysis of modern video game script excerpts. Insights into emerging technologies and the future of interactive storytelling.

Once Upon a Pixel examines the increasing sophistication of storytelling and worldbuilding in modern video games. Drawing on some of gaming's most popular titles, including Red Dead Redemption 2, The Last of Us, Horizon Zero Dawn, and the long-running Metal Gear Solid series, it is a pioneering exploration into narrative in games from the perspective of the creative writer. With interviews and insights from across the industry, it provides a complete account of how Triple-A, independent, and even virtual reality games are changing the way we tell stories. Key Features A fresh perspective on video games as a whole new form of creative writing. Interviews with a range of leading industry figures, from critics to creators. Professional analysis of modern video game script excerpts. Insights into emerging technologies and the future of interactive storytelling.

Why do people participate in genocide? The Complexity of Evil responds to this fundamental question by drawing on political science, sociology, criminology, anthropology, social psychology, and history to develop a model which can explain perpetration across various different cases. Focusing in particular on the Holocaust, the 1994 genocide against the Tutsi in Rwanda, and the Khmer Rouge genocide in Cambodia, The Complexity of Evil model draws on, systematically sorts, and causally orders a wealth of scholarly literature and supplements it with original field research data from interviews with former members of the Khmer Rouge. The model is systematic and abstract, as well as empirically grounded, providing a tool for understanding the micro-foundations of various cases of genocide. Ultimately this model highlights that the motivations for perpetrating genocide are both complex in their diversity and banal in their ordinariness and mundanity.